He had no idea what was behind that door.
A real actor, shot on green screen, inside a world that doesn't exist. This one answers the practical question a production actually asks: does any of this integrate with the footage we shoot?
An actor in a white suit, a green stage, and an entire spacecraft built around him. If the perspective, the light and the atmosphere don't marry, the shot dies — and no amount of beautiful generated imagery saves it.
Where the windows sit, where the corridor leads, what you see outside. Without that plan the space falls apart at the first cut.
Chroma extraction, light and atmosphere integration, matched perspective.
Raw plate on one side, final shot on the other.
Breakdown — raw × final
Everything around him was built from scratch. The astronaut is the only real thing.